The best summer of their lives
Though the film in the beginning it might seem that we have a contemporary substitute "Summer Blue" (including bicycles and "Pancho" present), and fortunately the course of the film footage is slowly drifting into a more particular history and a certain personality. Five
childhood friends on one hand and a pair of adults are unknown to the other two stories that are interspersed with flash-back mode to form a single story that undoubtedly has a common link and that will fuel the each other in times of necessity and others in a skillful game of situations and questions parallel.
In "the best summer of their lives," the five children will experience some special moments and symptomatic to be relatively simple that any viewer gain a quick rapport with his adventures, and especially their feelings. Everything will close and that closeness will help a lot to immediately follow up a story that has much in common with the Italian-Greek Uranya "Coastal Kapak or the above sequence of Antonio Mercer.
Pau Freixas, who debuted with "Camera Obscura" not so fortunate change the youth of that intrigue the children's drama is getting better in many ways, and getting along with Albert Espinosa well-constructed script and some pretty simple and credible characters. Shot in Catalan, the film manages to convey the atmosphere that intended (it also achieved Antonio Mercer) and can take a summer window glimpse we propose a series of memories outside a prism of complicity subtle but hugely effective. Both the music and get the interpretative work that the drama is held with little difficulty by throwing into a final lack perhaps less conventional.
While it is always complicated to work with actors so young, should emphasize the interpretation of Mireia Vilapuig girl, full of innocence and expression, sheltered by familiar faces like Eva Santolaria (too predictable), Alex Brendemühl (unconvincing in some sections), Emma Suarez (with a role far from its high) and Lluis Homar (always excellent), make a friendly deal, and in line with general climate history.
We are not in the movie of the year as a national cinema is concerned, but to a film to be taken into account, for easy consumption by conventional dramatic burden of invoice and entertaining, but is outlined at the outset as too traditional , offers us some imaginative license plausible narrative and some entertainment, all wrapped in a thin layer of essential melancholy for the development of history and necessary for interaction with the viewer.
Heroes for a summer. The summer of their lives.
sergio_roma00@yahoo.es
Cinebulosa 
0 comments:
Post a Comment