Skin Concealers Brands

Review: All About My chaos



Rock, drugs, alcohol and some laughter About

scene surrounding a rock star and his "chaos", there are all a reef to draw much party if done with some seriousness (if we accept the paradox was a comedy) to achieve a minimally credible and accurate result. Is not easy, and recent comedies such as "Adventureland", "Hangover" and "Superbad," we have restored hope in the genre of comedy in the scene contemporary.

This time, the starting point can not be more simple: rock star (Russell Brand) come down, problems with alcohol and drugs and almost impossible by a conservative innocent employee of a label ( Jonah Hill) to be picked up in London and bring to a concert that you can lift the flight of the label. Even with the apparent simplicity of a little script worked, the film aims to fun times, and in that respect is shown to us sincerely and with minimal risk.

whole trip back to USA some time guarantees us "Animal House", and allows us to a tasting unpretentious a light comedy, not to take it very seriously and leave the cinema hall with a certain smile on his face. Both

Russell Brand and Jonah Hill get some chemistry in the film about his misadventures as juveniles, as well as the fortunate presence of Sean Combs in a role tailor-made. But they are obviously not the only discrete interpretations or the sad and unimaginative script that could be positive out of this movie. "All About My chaos" we reserve some comic pieces that do might be worthwhile, especially the sensational staging a hilarious situation of your stay in Las Vegas.

Although the film is presented as a satire of the rock world and is preceded seal Judd Apatow production, neither the one nor the other have the potential to get enough that we are talking about a major comedy. In the first case, because even there the clear attempt to ridicule everything that moves the world of music stars more or less general terms, it is in a very superficial overview loose and making too worn clichés. In the second case, because even now that the presence of Apatow is synonymous with contemporary comedy, it is not in any way (and this film is a clear example) or clever comedy talent and another with a blatant commercial air that surrounds and engulfs the entire environment.

How could it be otherwise, this peculiar "chaos" we reserve the boring and ridiculous American moralizing that do nothing but tone down the comedy that at some point may have been high.

is therefore not the comedy of the year, much less remain a long time-of-mouth and thus room to room, but in any case a negligible option to spend time entertaining, funny, slightly the healthy habit of "marked a laugh", although few, there are.


sergio_roma00@yahoo.es

Cinebulosa

Got My Hair Cut Short January 2010

Review: The Silence of Lorna



's Europe
forgotten
The emergence of a new film by the Dardenne brothers is always a cause for celebration, and faith that they have earned. Movies like "Rosetta" and "The Son" and especially "El Niño" has been confirmed as a great example of true social cinema from a dynamic, thoughtful and with a strong tone of complaint which make films these filmmakers a event almost essential to know the social reality of the contemporary world, at least in a corner from which to project their concerns, which is as bright as it could be that of Ken Loach or Andra Arnold, but from a different perspective.

"The Silence of Lorna" maintains the social pulse, and also this time it involves a certain mystique that makes it even more interesting. Although it is easy to envision the relationship that may exist between the two main characters, no doubt the fact that all away showing dropper makes it even more interesting, and provides a very personal and always in a constant state of narrative immediacy.

Here are the problems with immigration, nationality and the gangs that generate the focus where the Dardenne brothers focus their attention, always provided a special sensitivity to address the female side and almost always the most affected and controversial. But Lorna, played correctly by the unknown Dobroshi Arta is a silent witness to everything that happens and burns with the desire to break a silence that is slowly destroying and also with the course of events the limits to untold torment .

The camera becomes a silent witness but inevitably funny, and above all share in a suffering that will increase throughout the entire film, while maintaining a more than acceptable narrative and emotional intensity, it is true that in final stretch seems to come bellows or lack of ideas to end a very interesting history and a high-pitched, concise and prudent, avoiding temptations that would have ruined the dramatic climate perfectly created.

We are thus faced with a film that contains everything needed to maintain a reasonable interest with little surprises, and achieve full satisfaction in who want more than a light film of summer.

Dardenne Brothers return to hit the target, aiming very carefully and with an occupation that increases in every movie and makes them some directors have in mind and not miss a single one of his films.


Sergio_roma00@yahoo.es

Cinebulosa

Kates Playground Oil 11:57

Review: Sunshine Cleaning




Dry Cleaning

When a movie appears disguised as independent and gradually removing this assumption is in favor of a conventionality of the most recurrent produces a feeling of profound disappointment and just for questioning what we sell appearances at first and that is proving to be taken with caution.

"Sunshine Cleaning" comes in the wake of the prestigious "Sundance" to remind us that this is not a comedy or drama typical of the genre, but except for some originality in the initial argument, nothing to do with recent films such as "Fish Tank" or "The Silence of Lorna" by Andrea Arnold and the Dardenne brothers respectively to give an example significant.

The pair of sisters who struggle to survive the harshness of the labor market and transition to the crisis of social and emotional relationships is wrapped in a script that, while initially attractive, over-the-slow footage gradually becomes bland, lacking any kind of hook and the misdirection of who tries to provoke a minimum of interest without getting any results in virtually no time optimal. Everything is happening without that apparently nothing significant happens which causes a slow pace, and a finding of fact only concerned about what happens and what you will worry just get it the odd time but very specific.

The trouble is that they have wasted two more than decent performances both Amy Adams and Emily Blunt to take two people who still lack the necessary intensity achieved induce a slight bewilderment and dramatic tone that acquires an interest and leaves a good taste based on working two jobs well done and adequate strength, which may well have been an argument used to transfer them to focus on unconventional paths.

film that combines yawning long time with some other attractive but ultimately leaves the strange feeling of having made a promising script a real dry cleaning.



sergio_roma00@yahoo.es

Cinebulosa