Caught
The recent Oscar winner Danny Boyle has adapted so easily to contemporary film that moves with extreme ease and strength in each and every one of its sites, and lets you get a gold seemingly simple story.
With little characters, with a very simple script (based on the true story of an adventurer trapped on a mountain with minimal chances of being alive) and imagination as the only way to solve the film, Boyle is building a elegant product that traps us from the very beginning, almost from the first plane, and based on a camera restless, powerful and relentless music (AR Rahman returns to work, plus a sensational topic of Dido) and the extraordinary performance of James Franco gets in "127 hours" a great film where suspense, anguish, drama and even comedy mixed with sufficient skill to be talking about one of the films of the year.
And the director is English, far from settled behind his hit "Slumdog Millionaire" seeks atratctivos and risky projects, and "127 hours" could not be more. As Rodrigo Cortés with his recent "Buried," Boyle has little material to transform an accident in a wonderful example of narrative dynamic and a fascinating assembly (ie the difference of the above mentioned movie) does an exceptional fluidity of a story that must reason with the ability to achieve the ultimate goal. Entertaining
like few others, and superbly directed by those who have already amply demonstrated its ability to adapt knows no bounds, and especially exciting to the point of not knowing what will happen with this adventurous little by little we knowing a little better and is hovering between life and death due to a stroke of bad luck.
Boyle is still under way, and that's always good news for the world of cinema.
sergio_roma00@yahoo.es
Cinebulosa 
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