Got My Hair Cut Short January 2010

Review: The Silence of Lorna



's Europe
forgotten
The emergence of a new film by the Dardenne brothers is always a cause for celebration, and faith that they have earned. Movies like "Rosetta" and "The Son" and especially "El Niño" has been confirmed as a great example of true social cinema from a dynamic, thoughtful and with a strong tone of complaint which make films these filmmakers a event almost essential to know the social reality of the contemporary world, at least in a corner from which to project their concerns, which is as bright as it could be that of Ken Loach or Andra Arnold, but from a different perspective.

"The Silence of Lorna" maintains the social pulse, and also this time it involves a certain mystique that makes it even more interesting. Although it is easy to envision the relationship that may exist between the two main characters, no doubt the fact that all away showing dropper makes it even more interesting, and provides a very personal and always in a constant state of narrative immediacy.

Here are the problems with immigration, nationality and the gangs that generate the focus where the Dardenne brothers focus their attention, always provided a special sensitivity to address the female side and almost always the most affected and controversial. But Lorna, played correctly by the unknown Dobroshi Arta is a silent witness to everything that happens and burns with the desire to break a silence that is slowly destroying and also with the course of events the limits to untold torment .

The camera becomes a silent witness but inevitably funny, and above all share in a suffering that will increase throughout the entire film, while maintaining a more than acceptable narrative and emotional intensity, it is true that in final stretch seems to come bellows or lack of ideas to end a very interesting history and a high-pitched, concise and prudent, avoiding temptations that would have ruined the dramatic climate perfectly created.

We are thus faced with a film that contains everything needed to maintain a reasonable interest with little surprises, and achieve full satisfaction in who want more than a light film of summer.

Dardenne Brothers return to hit the target, aiming very carefully and with an occupation that increases in every movie and makes them some directors have in mind and not miss a single one of his films.


Sergio_roma00@yahoo.es

Cinebulosa

Kates Playground Oil 11:57

Review: Sunshine Cleaning




Dry Cleaning

When a movie appears disguised as independent and gradually removing this assumption is in favor of a conventionality of the most recurrent produces a feeling of profound disappointment and just for questioning what we sell appearances at first and that is proving to be taken with caution.

"Sunshine Cleaning" comes in the wake of the prestigious "Sundance" to remind us that this is not a comedy or drama typical of the genre, but except for some originality in the initial argument, nothing to do with recent films such as "Fish Tank" or "The Silence of Lorna" by Andrea Arnold and the Dardenne brothers respectively to give an example significant.

The pair of sisters who struggle to survive the harshness of the labor market and transition to the crisis of social and emotional relationships is wrapped in a script that, while initially attractive, over-the-slow footage gradually becomes bland, lacking any kind of hook and the misdirection of who tries to provoke a minimum of interest without getting any results in virtually no time optimal. Everything is happening without that apparently nothing significant happens which causes a slow pace, and a finding of fact only concerned about what happens and what you will worry just get it the odd time but very specific.

The trouble is that they have wasted two more than decent performances both Amy Adams and Emily Blunt to take two people who still lack the necessary intensity achieved induce a slight bewilderment and dramatic tone that acquires an interest and leaves a good taste based on working two jobs well done and adequate strength, which may well have been an argument used to transfer them to focus on unconventional paths.

film that combines yawning long time with some other attractive but ultimately leaves the strange feeling of having made a promising script a real dry cleaning.



sergio_roma00@yahoo.es

Cinebulosa

Herpes Cure Commercial On Tv

Review: Toy Story 3



Playing with perfection

Before commenting on the film, something worth noting that the Pixar guys we are happily accustomed. This is a short at first, entitled "Day and Night" , which is also an extraordinary taste of what awaits us then, a declaration of principles and intentions and a great show about five minutes where once again enjoy the magic of this factory in short version.

After this exhilarating bite and barely time to blink, it starts "Toy Story 3" with a spectacular scene of adventure that we will make it clear the standard that this movie sucks and that over ninety-three minutes trying to prove hard. Both Spike Jonze

with its magnificent "Where the Wild Things Are" as Tim Burton and discreet "Alice in Wonderland" have good film that imaginative and aesthetic interest and to some intellectual as going through a acceptable and a good command of film language required to appear before different ages. "Toy Story 3" and in particular Lee Unkrich takes note of this premise, on the other hand handles with enviable ease and delivers a story that, while not providing too much about strict script refers to whether openly protrudes As highlighted in the narration, to dazzle and amaze all your senses. Based

Andy, one child with whom we identify many winks through a childhood different from the present, has turned seventeen and have to go to college, the film acquired at an early stage a nostalgic aroma that will not leave at any time and will serve as a thread to transmit all the emotions that need extrapolated to the field of everyday thinking. This journey toward maturity Andy lead another trip to our beloved companions toys into the unknown. And this amazing journey will give us the opportunity to meet new characters and enjoy each one more dynamic and enriching for the course of history: the couple Ken and Barbie is all a marvel of humor and smile clown, Monkey or Lots himself (impressive find a bear protagonist for this new release). All a spectacular array of characters, from the hand of a formidable stage delight to know who is coming. The familiar characters retain their essence, and even surpass imagination (priceless Buzz Light year intervention in its dual version).

"Toy Story 3" reached levels comparable to a height slightly. we are facing a dramatic film containing all the ingredients-and more-to discuss a masterpiece of animation . The film-how no-thrills, amuses, entertains, dazzles, surprises and ultimately wonderful. It contains moments of vibrant dynamism and leisurely passages that mix nostalgia with the joy of who has no other choice but to continue walking with their heads held high, in the brief journey through the different stages of life.

There are scenes of emotional power rarely matched, and other moments where laughter is as inevitable as the desire to continue to enjoy this fascinating spectacle of color, fantasy, imagination and above all much ingenuity.

3-D format adds an extra quality to the film, although it might be dispensable, and their original version appears necessary if one wants to enjoy Tom Hanks, Tim Allen, Michael Keaton and Joan Cusack, and put four significant examples are great. In addition to the provision of a "Castilianized" Buzz Light year in a small nod to our language that should be taken into account. Movie

round, a choice must in the billboard and no doubt the best delivery of that already is a magnificent saga.


sergio_roma00@yahoo.es

Cinebulosa

What Is Jeffree Star's Ring Size?

Review: Shrek. Happily Ever





bittersweet final chapter
When in 2009 burst into movie screens this strange and curious ogre's swamp DreamWorks hand, few could presage would be the beginning of an interesting and respected franchise. The truth is that at the time was an explosion of creativity, a shameless exercise of humor and above all a step forward in a "fratricidal" war with Pixar factory. Nine years later we find the last trip of the ogre Shrek, in a final chapter in which again stresses the technical, lifted up by excellent 3D graphics, and wrapped in turn by the complicity that has led follow-up misfortunes of these characters.

This latest installment contains many ingredients that have amazed and conjugate for critical and over the years, and in this sense little disappointed we have a story that contains a point of originality and a new view for both main characters as the odd interesting novelty. Once assured the technical spectacle, the romantic comedy that marks the beginning drifts into a modest adventure that will terminate in the starting point, although it seems a paradox.

From a somewhat more demanding, expect much more of this "Happy Forever", and somehow left with the feeling that this has had it longer. That entertains, sometimes fun, but not dazzling nor does a breakpoint on to conventions in film animation as if it represented the past. We are therefore faced with an acceptable proposal continues that, while the third is to improve delivery, it is slightly away from the first two, and is a somewhat bittersweet cycle closure and a sense that you could have done better.
said this remains an excellent choice to hold onto now that the bill offers few guarantees, at least until the impending arrival of the masterpiece made by Pixar "Toy Story 3" and that "this self- is a devastating blow on the table, and a landslide victory in this "wonderful" struggle for power in the animated film.

The ogre returns to the swamp, the voluntarily leave and then return to nostalgia. Comings and goings of one of the most exciting series of animated films we've had the opportunity to enjoy several years.


sergio_roma00@yahoo.es

Cinebulosa